If you decide to use this approach you really want to have a very large pocket book and awesome fortitude to step away when you achieve a tiny win. For the purposes of this essay, a sample buy in of two thousand dollars is used.

The Horn Bet numbers are surely not looked at as the "successful way to play" and the horn bet itself carries a house edge of over twelve percent.

All you are playing is five dollars on the pass line and ONE number from the horn. It does not matter whether it is a "craps" or "yo" as long as you wager it at all times. The Yo is more established with players using this approach for obvious reasons.

Buy in for $2,000 when you approach the table but only put five dollars on the passline and one dollar on one of the two, three, 11, or 12. If it wins, fantastic, if it does not win press to $2. If it loses again, press to four dollars and continue on to $8, then to $16 and after that add a one dollar each subsequent wager. Every instance you lose, bet the last value plus one more dollar.

Adopting this scheme, if for example after 15 rolls, the number you selected (11) hasn’t been thrown, you really should step away. However, this is what could happen.

On the tenth toss, you have a sum total of $126 in the game and the YO finally hits, you gain $315 with a gain of one hundred and eighty nine dollars. Now is a perfect time to step away as it is higher than what you entered the table with.

If the YO does not hit until the twentieth roll, you will have a total wager of $391 and because your current wager is at $31, you come away with $465 with your take being $74.

As you can see, using this approach with just a one dollar "press," your profit margin becomes smaller the more you wager on without succeeding. This is why you have to march away after a win or you must bet a "full press" once more and then carry on with the $1.00 mark up with each toss.

Carefully go over the data before you attempt this so you are very familiar at when this approach becomes a losing affair rather than a profitable one.